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4251. Prisioneiros dos Campos
de trabalho escravo não equipados com câmaras de gás, também podiam ser encontrados indivíduos de
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4252. Henry Feingold
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4253. Lore Oppenheimer and Hermann Ziering - Society of the Survivors of the Riga Ghetto (New York)
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4254. Roswell McClelland
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4255. Hersh Smolar - Minsk ghetto
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4256. Auschwitz
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4257. Shmuel Tamir
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4258. Martha Michelsohn - Chelmno
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4259. Franz Schalling - Chelmno, gas van
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4260. Czeslaw Borowi - Treblinka
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4261. Yehuda Lerner - Sobibor
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4262. Mordechai Podchlebnik - Chelmno
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4263. Maurice Rossel - Red Cross
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4264. Heinz Schubert - Einsatzgruppen
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4265. Abraham Bomba - Treblinka
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4266. Andre Steiner
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4267. Leib Garfunkel - Ghetto Kovno
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4268. Hansi Brand
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4269. Ehud Avriel
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4270. Jacob Arnon
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4271. Chelmno (CH)
https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with
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4272. Les puissances de l’Axe dans la Seconde Guerre mondiale
Le 25 novembre 1936, un mois après la signature du protocole d’amitié germano-italien, l ... Hongrie déserte l’Axe, comme l’Italie six mois plus tôt. La Hongrie ne se rendit pas et, pour elle, la
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4273. Le génocide des Tsiganes européens, 1939-1945
premiers mois suivant leur arrivée, par manque de nourriture, de chauffage, d’abri et de médicaments. Au ... cours des premiers mois de 1942, les SS et la police déportèrent ceux qui
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4274. Elie Wiesel
Trois mois après avoir reçu le prix Nobel de la paix, Elie Wiesel et sa femme Marion créèrent la ... journal, et tous deux se sont retrouvés à Paris. Quelques mois plus tard, ils ont apprit que Béatrice
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4275. 1941 : dates importantes
Au cours du mois de juillet 1941, le Einsatzkommando 9 tue environ 5000 Juifs à ... Yar, en banlieue de Kiev, avec l'aide d'auxiliaires ukrainiens. Au cours des mois qui suivent, des