Displaying: 8,176 8,200 of 105,109 matches for “微信Dylan7100全套加拿大假驾照安大略省驾驶证ON驾驶证oAnl”
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8176. Marjana Ulman (standing, far right) and David Majer Zalc (kneeling, far right) among a group of young people posing on a street corner in Antwerp.
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8177. Members of the Jewish resistance are captured by SS troops on Nowolipie Street during the suppression of the Warsaw ghetto uprising.
assemble for deportation was accompanied by hit and run attacks on German units, which forced their
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8178. SS troops force Jews to dig out the entrance to a bunker on the twentieth day of the suppression of the Warsaw ghetto uprising.
assemble for deportation was accompanied by hit and run attacks on German units, which forced their
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8179. Three young boys who were members of the Buchenwald children's transport, pose on a ladder at the OSE (Oeuvre de Secours aux Enfants) children's home in Ecouis.
troops when they liberated the Buchenwald concentration camp on April 11, 1945. Most of the children ... Enfants."] On June 2, 1945 OSE representatives arrived in Buchenwald, and together with Rabbi Marcus
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8180. A provisional identification document issued to Buchenwald survivor Romek Wajsman by the International Camp Committee in Buchenwald on April 30, 1945.
Robert Waisman (born Romek Wajsman) is the son of Rywka (Gil) and Chiel Wajsman. He was born on ... Feb Robert Waisman (born Romek Wajsman) is the son of Rywka (Gil) and Chiel Wajsman. He was born on
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8181. A colored, pen and ink drawing of the Le Vernet transit camp made on a postcard by Manfred Rosenkranz, a Jewish inmate from Germany.
Rosenkranz, a Jewish inmate from Germany. The German text written on the right side of the postcard reads ... where his father was a prosperous furrier, whose business was located on the main commercial street of
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8182. Hana Goldman (seated on the left) with a group of Jewish youth, wearing armbands, poses at the back entrance to the Goldmans' home in the Zabno ghetto.
1925). After the German occupation of Poland, the Goldman family remained in their home in Zabno. On ... killed Maier on the spot when they discovered him hiding in the cellar. Soon afterwards, the rest of the
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8183. Poster advertising the publication of an issue of the anti-Semitic newspaper, Der Stuermer, containing a report on a purported case of ritual murder.
containing a report on a purported case of ritual murder. The text of the poster reads: Ritual Murder is
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8184. Detail of the scale model of crematorium II at Auschwitz-Birkenau on display in the permanent exhibition of the U.S.
exhibition of the U.S. Holocaust Memorial Museum. The model was sculpted by Mieczyslaw Stobierski based on ... sculptor's model that has been on display in the State Museum of Auschwitz for many years, was commissioned
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8185. Detail of the scale model of crematorium II at Auschwitz-Birkenau on display in the permanent exhibition of the U.S.
exhibition of the U.S. Holocaust Memorial Museum. The model was sculpted by Mieczyslaw Stobierski based on ... contemporary documents and the trial testimonies of SS guards. The detail shows prisoners carrying a body on
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8186. The striped overcoat of a prison uniform worn at the Buchenwald concentration camp bearing a purple triangle on the number patch.
triangle on the number patch. The prisoner number is #38641. The inverted purple triangle badge
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8187. "Delousing" by Lili Andrieux. Sketch of woman bending over, combing or washing the hair of another person seated on the ground next to her.
she married Ricardo Ester, a Spanish refugee whom she met at Gurs. She died on June 13, 1996. Her
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8188. "The Crazy Alsatian" by Lili Andrieux. Sketch of woman wearing dress, seated, and looking to her right, her hands resting on her right leg.
she married Ricardo Ester, a Spanish refugee whom she met at Gurs. She died on June 13, 1996. Her
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8189. View of a display case featuring a dress worn by a Romani woman from Czechoslovakia, on the fourth floor of the permanent exhibition in the U.S.
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8190. Detail of the scale model of crematorium II at Auschwitz-Birkenau on display in the permanent exhibition of the U.S.
exhibition of the U.S. Holocaust Memorial Museum. The model was sculpted by Mieczyslaw Stobierski based on ... sculptor's model that has been on display in the State Museum of Auschwitz for many years, was commissioned
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8191. Torah scrolls desecrated during the Kristallnacht pogrom, are displayed on the fourth floor of the permanent exhibition at the U.S.
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8192. One panel of the "Search for Refuge" segment, featuring the passports of Jewish refugees, on the fourth floor of the permanent exhibition at the U.S.
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8193. Detail of the "MS St. Louis" photo mural with Captain Schroeder's cap on the fourth floor of the permanent exhibition at the U.S.
Cuba in May 1939. When the ship set sail from Hamburg on May 13, 1939, all of its refugee passengers ... reached Havana on May 27 all but 28 of the Jewish refugees were denied entry. The American Jewish Joint
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8194. Detail of the scale model of crematorium II at Auschwitz-Birkenau on display in the permanent exhibition of the U.S.
exhibition of the U.S. Holocaust Memorial Museum. The model was sculpted by Mieczyslaw Stobierski based on ... sculptor's model that has been on display in the State Museum of Auschwitz for many years, was commissioned
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8195. Monitors accompanying the Babi Yar and mobile killing squads segment on the third floor of the permanent exhibition at the U.S.
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8196. View of the "Who Shall Live and Who Shall Die" segment on the third floor of the permanent exhibition at the U.S.
depicting the arrival and selection of a transport of Jews from Carpathian Ruthenia on the ramp at Auschwitz
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8197. Auschwitz photo mural and affadavit signed by Auschwitz commandant Rudolf Hoess, displayed on the third floor of the permanent exhibition at the U.S.
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8198. View of the "Mobile Killing Squads" and "Babi Yar" segments on the third floor of the permanent exhibition at the U.S.
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8199. View of the photo mural of a selection at Auschwitz-Birkenau taken through the open railcar on the third floor of the permanent exhibition at the U.S.
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8200. View of the entrance to the reconstructed Auschwitz barracks displayed on the third floor of the permanent exhibition at the U.S.