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36501. Nachlaß Rosenberg, Arthur (1889-1943); historiker, politiker, schriftsteller (Fond 641)
Fond 641 (1932). Opis 1; Delo 1. Arranged on one series: 1. Correspondence, 1932. Note: Location
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36502. Büro des Reichsprotektors in Böhmen und Mähren, Prag (Fond 1488)
Fond 1488. Opis 1; Delo 1-84. Selected records arranged in one series: 1. Reports, correspondence
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36503. Welding torch coupling from the Dora Mittelbau V2 factory
built under a mountain, and consisted of two mile-long, parallel tunnels that stretched from one end of
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36504. Comic painting of two Orthodox Jewish men fighting
an increasingly popular topic in Austria at the time. This painting is one of more than 900 items in
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36505. Colorful Fagin fireplace tool holder with poker and tongs
unpleasant Jewish stereotypes are central to his depiction. This fireset is one of the more than 900 items in
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36506. Cast iron Fagin lamp holding a toasting fork / trident
This lamp base is one of the more than 900 items in the Katz Ehrenthal Collection of antisemitic
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36507. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36508. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36509. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36510. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36511. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36512. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36513. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36514. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36515. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36516. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36517. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36518. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36519. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36520. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36521. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36522. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36523. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36524. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a
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36525. Halina Olomucki painting
survived four selections done to separate those to be gassed from those to be used as laborers. One day, a